Pedro Reyes - Maureen Paley - Youssef Nabil - Eileen Cooper OBE RA - eL Seed - James Watt CVO - Tom Fletcher CMG - Mandy Barker - NeSpoon - Saleh Barakat-Sama Alshaibi- Richard Bell - Myriam Boulos -Katya Grokhovsky- Maia Ruth Lee - Rania Matar - Zehra Doğan and Elettra Stamboulis -David Tovey - Dominic Chambers -Touria El Glaoui -Ali Cherri -Afifa Aleiby -Sadik Kwaish Alfraji - Laure d’Hauteville and Joanna Chevalier-Larry Amponsah - Victor Ekpuk - Mohammed Omer Khalil - Ahmed Morsi - Aaron Cezar - Ashekman - Michael Landy Part I & II - Sarah Hermez - Natalie Gibson MBE - Helen Storey MBE - The Voice of a Generation Fashion Print Class 2018 Central St Martins - Art Dubai: Myrna Ayad Director and Shumon Basar - Sultan Sooud Al Qassemi - V&A: Kate Bailey - SHOWstudio: Emily Knight and Bex Cassie - Dr. Anthony Brandt - Hassan Hajjaj -Yannis Munro - Dr Benjamin Dix - Michaela Crimmin - Fiona Hawthorne - Hrair Sarkissian- Walid Ardhaoui - Rabih Kayrouz - Hayle Melim Gadelha - Charles Tripp -
Multidisciplinary artist Barbara Ayozie Fu Safira is a painter, photographer, a stylist, creative director and costume designer for film, TV, and fashion, and has consulted for many creative companies including Channel 4, Film 4, Netflix, BET, Amazon, Nike, TikTok, Chanel, Matches Fashion, UMG, Quincy Jones PD and V Studio Group. For London Fashion Week she styled the fashion shows of Eudon Choi, Tokyo James, and Zeynep Kartal and has produced photoshoots and drafts fashion editorials for Vogue, Elle, GlassBook, GQ Turkey, Hunger TV, Metal Magazine, Aesthetica Magazine, Replica Man, Beast Mag, and Vogue Turkey. Her latest body of work, her photography was shown at Photo London 2026 with ‘Positions’ curated by Maria Sukkar.
Maurizio Anzeri, the Italian-born, London-based artist, works across photography, sculpture, drawing and traditional craft techniques. Often reworking portraiture through embroidery, thread and synthetic hair, his practice brings image, object and surface into close relation. In 2000, Anzeri created sculptures made out of hair for Alexander McQueen, and worked for a year with Isabella Blow producing ‘wearable’ sculptures. The artist’s works are held in several collections including at the Victoria and Albert Museum, London, the Alexander McQueen Archive, London, the Saatchi Collection, London, Fondazione Agnelli, Turin, Shanghai Gallery of Art, Gagosian Collection, Rothschild Collection, Ivor Braka Collection, London, Statoil Collection, Oslo, Missoni Collection, Milan, The Museum Of Everything, London, Museo Cantonale, Lugano Switzerland, Museum Kunstpalast, Düsseldorf and Pier24 Photography, San Francisco. Anzeri was part of the inaugural exhibition in 2009 of the new Photographers Gallery. In 2010, he won the Vauxhall Collective bursary prize for Fine Art resulting in his solo exhibition 'The Garden Party' at the Q Forum, London. His solo exhibition ‘Family Day’ was held in 2011 at the Baltic Centre for Contemporary Art. In 2013, Anzeri’s solo exhibition ‘But it's Not Late, It's Only Dark’ was held at the Chapter Arts Centre in Cardiff. In 2014, he was commissioned to do a portrait by the Bavarian State Opera in Munich and in that same year took part in the exhibition 'The Needles Eye' at the Kode Museum in Bergen, Norway and in 2015 at the Oslo National Museum of Art, Architecture and Design. In 2016, 2017 and 2018, Anzeri held several solo exhibitions with Haines Gallery, San Francisco, USA. He has collaborated with Hatis Noit for her Concert at St John on Bethnal Green for the release of her album AURA in 2022 and 2023, and showed 'Lesson One' at Italian Cultural Institute, London UK , PLOT BRUN gallery, London UK. In 2026, Maurizio Anzeri showed with ‘Positions’ at Photo London 2026—'Positions' curated by Maria Sukkar.
Maliha Abidi is a Pakistani-American artist and author based in London. She primarily works across painting, animation, immersive experiences, digital illustration, and installation. Born and raised in Pakistan, she migrated to the United States at the age of 14. Her experiences of migration, combined with a focus on gender, collective memory, and the South Asian diaspora, have shaped a multidisciplinary art practice spanning over 12 years. Her work has been exhibited in London, New York, Paris, Karachi, and Miami.Abidi has been listed in Forbes 30 Under 30 – Class of 2025. She is currently pursuing her MA in Contemporary Art Practice at the Royal College of Art and will soon begin her MFA at Oxford University (Class of 2026).She is the founder of Women Rise, a Web3 initiative focused on women’s rights and girls’ education through art, and BackPackX, a spatial computing platform centred on storytelling, VR based education, and innovation for marginalized communities. In her spare time, she enjoys traveling, reading, cycling, and exploring new coffee blends. Clients and collaborators include Adobe, Google, UN Women, Vital Voices, Malala Fund, Chicago Bulls, IPPF, Charity Water, Instagram, Snapchat, The Pad Project, UNHCR, Lonely Whale, Camfed, The New York Times, Quarto Books, Voice HQ, Coinbase. Maliha has spoken on numerous panels, both in-person and online on creating inclusive communities and as an early adopter in the NFT space. Maliha has also been interviewed on news programmes such as Good Morning America and Inside Edition and has even conducted interviews herself, such as with renowned activist Malala Yousafzai.
Nobody’s Listening is a Virtual Reality (VR) experience and exhibition. It amplifies voices of survivors from the Yazidi community through the tool of art and technology, both merged as the VR—"Nobody’s Listening: The Forgotten Voices of Sinjar"—a virtual experience and an immersive sense of artworks, and through an art exhibition.
The VR shares storylines formed from several interviews with survivors, with technology as a tool utilised to create greater understanding through an immersive feeling and to educate, and the exhibition is made up of artworks by Yazidi artists and other communities.
Based in Beirut and London, artist Tom Young's architectural training, BA(Hons) Architectural Studies, Newcastle University, informs his interest in light and space. Interested in blurring the boundaries between realism and abstraction, Young explores symbolism, memories, history, resilience of the human spirit in the face of adversity.
Young often exhibits his work as site specific installations which grow from the buildings he works in, transforming abandoned spaces into living centers of creativity, preserving heritage and memory.
Tom Young has widely exhibited, including: at Oxo Tower Gallery, South Bank, London (2000); at Gallery 54, Mayfair, London (2002); with with St'art Gallery at New York (Armoury), Dublin, Glasgow and Chelsea Art Fairs (2003); at 'Cityworks', Artbank Gallery, Clerkenwell, London (2004); exhibition 'I Love Beirut', Adam Street Club, the Strand, London (2006); exhibition 'Moods of London', West Eleven Gallery, Notting Hill, London (2006); exhibition 'The Thames', Russell Gallery, London (2008); exhibition about Lebanon 'Resilient Spirit', Indar Pasricha Fine Art, London (2008); exhibition 'Road to Damascus' series of paintings at St Pauls Cathedral 300 year anniversary exhibition, St Pauls, London, (2010); exhibition of landscapes at Gabala International Art Exhibition, Azerbaijan. (2011); exhibition 'Fairground' at British Embassy Residence, Lebanon in aid of SOS Children's Villages, Lebanon (2013); exhibition At The Rose House in Beirut- transforming an iconic empty mansion in Beirut into an exhibition venue and cultural center for 3 months, (2014); exhibition Spectrum at British Embassy Residence, Lebanon, (2016); exhibition of artworks, installations and partial renovation of Sofar Grand Hotel,Lebanon, (2018); with the British Embassy in aid of Rebecca Dykes Foundation in Lebanon and Royal Opera Arcade Gallery,London, (2018); Revival at Hammam Al Jadeed, Saida Old Souq, Lebanon, (2020); Exhibitions about the Lebanese Protest Movement 'Thawra' at Beit Beirut, Janine Rubeiz Gallery and ArtScene Gallery (@392Rmeil393, Beirut), (2020); Belonging II, Marie Jose Gallery (2024).
Tom Young has taught several art workshops including in at SOS Children's villages, Lebanon, and art and music workshops at Al Kamandjati School, Bourj al Barajneh Refugee Camp, Beirut in 2011, and in 2016 art workshops with the children of Dar Al Aytam orphanage at Al Zaher, Zarif, Beirut Young was commissioned in 2012 to paint the Olympic Broadcasting Services Building, London Olympic Village. 300 signed prints of the painting presented to heads of the world's media at Games Opening Ceremony. He also collaborated on a live art performance about the Royal Jubilee River Pageant from roof of City of Westminster School, London. Has participated in symposium Al Asmakh International Art Symposium in Doha, Qatar.